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| 1. |  € 100,00 | EAN-13: 9781912554591 S. Panayotova
The Art & Science of Illuminated Manuscripts: A Handbook
| Edizione: | Brepols Publishers, 2020 | | Collana: | Manuscripts in the Making |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 100,00 | | Descrizione | This book is designed to provide a guide for art historians, conservators and manuscript scholars to understand and support the increasingly popular cross-disciplinary research efforts focused on non-invasive scientific analyses of illuminated manuscripts. |  Aggiungi al Carrello |
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| 2. | € 135,00 | EAN-13: 9781912554133 S. Panayotova
Art and Science. Volume Two
| Edizione: | Brepols Publishers, 2018 | | Collana: | Manuscripts in the Making |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 135,00 | | Descrizione | VISION, COLOUR AND MEANINGVision and Colour in the Works of Giotto and His Contemporaries ? Donal CooperRobert Grosseteste?s De iride and its Addendum in the Vatican Manuscript Barb. Lat. 165: Transmission, Reception, Meaning ? Cecilia Panti and Greti Dinkova-Bruun Seeing a Pink Elephant: Creating Meaning through Colour in the Medieval Bestiary ? Elizabeth Morrison The Colours of Fortune ? Deirdre Jackson ILLUMINATORS? MATERIALS Recipes and Reception: Late Mediaeval English Colour. Recipes and Amateur Illuminators ? Mark Clarke Looking for Lichen, Fooled by Folium and Tricked by Tyrian: A Brief Tour and New Research on Purple in Manuscripts ? Cheryl Porter, Maurizio Aceto, Elisa Calà, Angelo Agostino, Gaia Fenoglio, Ambra Idone and Monica GulminiReflecting a Heavenly Light: Gold and other Metals in Medieval and Renaissance Manuscript Illumination ? Nancy TurnerGold or Brass, Silver or Tin: the Analysis of Metals in Medieval Book Illumination ? Robert Fuchs, Cologne Institute for Conservation SciencesPigmenta: Materials for Writing, Painting and Healing ? Lea Olsan The Use of Copper Sulphates in Sixteenth-Century Flemish Illumination: Simon Bening as a Case Study ? Giulia Bertolotti and Paola RicciardiANALYTICAL TECHNIQUES Between Tradition and Innovation: Giving Light to a Visionary Text in the Lorvão Beatus ? Maria João Melo, Maria Adelaide Miranda, Rita Castro, João Lopes and Jorge SarraguçaScientific Study of Cistercian Illuminated Manuscripts: Techniques, Aesthetics and Religion ? Catarina Miguel, Angela Nuñez-Gáitan, Maria Luisa Carvalho and Cristina Barrocas-Diasa Mapping and identification of the pigments used in two illuminations from the Laudario of Sant?Agnese attributed to the Master of the Dominican Effigies ? John K. Delaney, Kathryn Dooley, Damon Conover, Lisha Glinsman, Giorgio Trumpy and Michelle FaciniThe Benefits of Scanning Illuminated Manuscripts with MA-XRF and MA-rFTIR ? Stijn Legrand, Paola Ricciardi and Koen Janssens RESTORATION AND FORGERY The Psalter-Hours of Isabelle of France in the Nineteenth-Century ? Stella PanayotovaThe Spanish Forger Exposed: an Interdisciplinary Study of Two of His Paintings ? Christina Currie, Steven Saverwyns and Dominique Vanwijnsberghe | Aggiungi al Carrello |
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| 3. | € 135,00 | EAN-13: 9781909400108 S. Panayotova
Art and Science. Volume one
| Edizione: | Brepols Publishers, 2017 | | Collana: | Manuscripts in the Making |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 135,00 | | Descrizione | This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum?s acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists? collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory Tables and Diagrams. | Aggiungi al Carrello |
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| 4. | € 75,00 | EAN-13: 9781909400566 S. Panayotova
Colour. The Art and Science of Illuminated Manuscripts
| Edizione: | Brepols Publishers, 2016 | | Collana: | Studies in Medieval and Early Renaissance Art History |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 75,00 | | Descrizione | This richly illustrated catalogue accompanies the exhibition that celebrates the bicentenary of the Fitzwilliam Museum in Cambridge with a display of its finest illuminated manuscripts. Of all the medieval and Renaissance arts ? from sculptures, ivories, frescoes and stained glass to easel and wall paintings ? it is manuscript illuminations, protected inside volumes, that best preserve the glowing colours and precious metals that would have dazzled their original spectators. The focus of this exciting and innovative exhibition is on COLOUR: it integrates scientific and art historical analyses of painting materials and techniques with studies on the manuscripts? historic contexts of production, including the relationships between artists and patrons. Identifications of the pigments? chemical composition and methods of application are considered alongside their aesthetic impact as well as the multiple dimensions and meanings of colour appreciated by medieval and Renaissance viewers. Over 150 manuscripts are displayed in the exhibition dating from the 8th to the 19th century and all are catalogued and fully illustrated here. The manuscripts are grouped in 14 thematic sections each of which is introduced by an essay that includes further relevant illustrations and presents the scientific and art historical analyses in a broader cultural context. The majority of the exhibits are from the Museum?s collection and the main focus is on Western European illumination, but examples of Byzantine, Armenian, Persian and Sanskrit manuscripts are also included. In addition there are special loans from other Cambridge, British and European collections. The catalogue entries and introductory essays are written by a team of leading manuscript scholars, scientists and conservators who offer an integrated, cross-disciplinary approach and new insights into the art of illumination. | Aggiungi al Carrello |
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| 5. | € 175,00 | EAN-13: 9781909400375 S. Panayotova
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Three: France: Volume One: c. 1000 - c. 1250
| Edizione: | Brepols Publishers, 2015 | | Collana: | Illuminated Manuscripts in Cambridge |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 175,00 | | Descrizione | This volume contains an impressive range of texts, from Horace (Cat. 17) and Ovid (Cat. 61) to the earliest known copy of the Collectio Lanfranci (Cat. 5) and Gerard of Cremona?s translations of Rasis? works (Cat. 93). The bulk, however, consists of Bibles of two kinds: imposing glossed books, produced in great numbers in the twelfth-century, and their thirteenth-century successors, the compact pandects. Both categories include some of the most richly illuminated French manuscripts of the period. Among the former are two deluxe sets made for Thomas Becket, the first completed while he was in exile in Pontigny and Sens from 1164 until 1170 (Cat. 27-31), the second edited after his martyrdom by his secretary Herbert of Bosham (Cat. 32-34). The majority of the thirteenth-century Bibles are so-called ?Paris? or ?pocket? Bibles produced from the 1220s onwards, mostly in Paris, and containing the biblical books in a standard order. They are illuminated in a variety of figure and ornamental styles, some comparable to the Bibles moralisées of c.1220-1240 (e.g. Cat. 72), others bearing no resemblance to them (e.g. Cat. 73). There are also notable exceptions of complete Bibles made not in Paris, but in North-Eastern France or Champagne (e.g. Cat. 70), and displaying iconography, figure styles and order of books different from those found in their better-known Parisian contemporaries. We hope that the inclusion of numerous images in full colour representing Bibles illuminated in all of these different styles will inspire and support further research, especially on the ornamental initials which deserve more attention.While this volume contains outstanding examples of illumination, notably the work of the itinerant Simon Master (Cat. 46), it also includes books that are modest in artistic terms, but valuable in other ways. Among them is a glossed Ezekiel which boasts one of the finest Romanesque bindings to survive in Cambridge collections, made almost certainly in Paris c.1160-1170 (Cat. 41). Other aesthetically unassuming volumes form important groups of material, for instance, the books assembled by Master Robert Amiclas during his forty years in France and given or sold by him to the Cistercian Abbey of Buildwas in Shropshire (Cat. 20-26, 37). | Aggiungi al Carrello |
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| 6. | € 175,00 | EAN-13: 9781909400047 S. Panayotova
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Four: England, Ireland, Scotland, Wales. Volume One: Insular and Anglos-Saxon Manuscripts
| Edizione: | Brepols Publishers, 2013 | | Collana: | Illuminated Manuscripts in Cambridge |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 175,00 | | Descrizione | This publication is the first volume to appear in the catalogue series devoted to the British Isles and covers Insular and Anglo-Saxon manuscripts produced between c. 700 and c. 1100 AD. This was a period in which Britain witnessed a great blossoming of cultural awareness and artistic craftsmanship. Under the reign of King Alfred towards the end of the ninth century England experienced a renewed impetus for scholarly activity, and as a result the production of books intensified greatly. By the early tenth century, influenced and inspired by new trends and ideas from Continental Europe, English art began to flourish, and manuscript illumination especially made a great impact with the high quality of its figure style and decorated initials, and with its elegance of script and mise-en-page.
Cambridge is fortunate in having a significant collection of manuscripts from this period, and the ninety-seven works catalogued and richly illustrated here are amongst the finest surviving examples of Anglo-Saxon decoration. Included here are the fragmentary yet striking remains of a once magnificent early eighth-century Northumbrian Gospels, while an early tenth-century copy of Bede?s Life of St Cuthbert contains a full-page image of King Aethelstan offering a book to St Cuthbert, that may be the earliest presentation scene surviving in England. In another tenth-century manuscript, Amalarius of Metz?s Liber officialis, one may see the fullest repertoire of ingenious interlace and zoomorphic initials?the high-point of Anglo-Saxon drawing skills. In yet another Gospel book, from the early eleventh century, a de luxe manuscript resplendent with gold, one can find all the characteristic features of Anglo-Saxon iconography and style, including exuberant frame ornamentation, as well as examples of drapery with "agitated fluttering hemlines", the hall-mark of Carolingian-inspired draughtsmanship.
In addition to the detailed catalogue of Anglo-Saxon manuscripts produced in England, Ireland and Wales, the volume also includes an Addenda to the previously published Part One of this series, listing thirteen Frankish manuscripts from the eighth to the tenth century that had not been catalogued before. Among these is the well-known copy of Hrabanus Maurus? De laudibus sanctae crucis whose place of origin and circumstances of production still remain to be established. Every manuscript catalogued is illustrated in full colour, mostly with several illustrations, and frequently with special detail images. There is also an exhaustive bibliography and the catalogue is fully indexed including a comprehensive iconographic index. | Aggiungi al Carrello |
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| 7. | € 200,00 | EAN-13: 9781905375851 S. Panayotova
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula
| Edizione: | Brepols Publishers, 2012 | | Collana: | Illuminated Manuscripts in Cambridge |
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Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 200,00 | | Descrizione | This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. | Aggiungi al Carrello |
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| 8. | € 200,00 | EAN-13: 9781905375479 S. Panayotova
A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET
| Edizione: | Brepols Publishers, 2009 | | Collana: | Illuminated Manuscripts in Cambridge |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 200,00 | | Descrizione |
This publication is the first to appear in a major new series of
catalogues covering all the Western medieval illuminated
manuscripts in Cambridge, excluding only the separately catalogued
manuscripts in the University Library. The catalogue entries, based
on the most recent studies undertaken by the Cambridge
Illuminations Research Project, are organised geographically by
place of origin, and, within that grouping, listed chronologically.
The present two-volume catalogue deals with the early manuscripts
produced in the Frankish Kingdoms, the splendid, richly illustrated
books from the Northern and Southern Netherlands ranging from the
thirteenth to the sixteenth century, illuminations from the
Meuse region, manuscripts both in Latin and the vernacular from the
late eleventh to the end of the sixteenth century from Germany, and
lastly an interesting group of books from Bohemia, Austria and
Hungary. While the focus of the catalogue is on the illumination,
all decoration and ornamentation being listed in detail, entries
also include much information on codicology, on texts and on
provenance, as well as the most recent bibliographical
references. Every manuscript catalogued is also illustrated,
generally with several images which are all reproduced in
full colour.
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